If you never heard of this Japanese horror movie, you should check it out right away. It reminds me of Seven although Angel Dust is a more apt comparison but I saw the latter afterwards. The acting and cinematography is fantastic. You'll see imagery that won't make sense until later but I think it all clearly adds up in the end. Some might take issue with the plausibility of some aspects. Pay close attention though. The film gave plenty of justification to how this could be possible so I don't have any problem buying into it. I love these kinds of detective stories particularly when they are unaware of the real threat. It makes you want to scream at the screen but of course, our lead would have no idea the trap he is so carelessly walking into, which to me, is partly what makes it so effective. We would all stumble into that same dark jail cell without realizing what had happened until it was too late. Here comes some spoilers so stop reading if you haven't seen it yet. I thought a lot about Fallen after this but Cure is so much more clever and subtle in its mesmerizing execution. They're very similar but one is like a lunatic barking at cars in the street while the other lurks in the shadows, waiting for you to draw near. In film, the execution is everything. You could have the best script in the world, the best story, the best idea, but if your actors suck or the cinematography is terrible, if the music doesn't fit or the sound is wretched, it's all for nothing. You need that good script too though. That's why film is so challenging. All the pieces really have to come together, and I think that's clearly the case with Cure.
I really loved this one. It's extremely gory with a pretty cool werewolf (ok sometimes it doesn't look great but other times it does... kinda like a lot of werewolf movies). The shining red eyes are awesome, and you get plenty of nudity. If you couldn't tell from the title, it's an exploitation film. Sure, the budget was clearly low and the cinematography leaves a lot to be desired (kinda looks like it was shot on a DVX), but it's entertaining as hell, the lead lady is very lovely, and the practical FX are damn good for this level of production. They kept the story and characters simple, sending up both women in prison movies and werewolf flicks. It's a unique combination that works surprisingly well. You know Hollywood would never have the guts to do this. The fact they could pull this off at all on such a tiny budget is a miracle that should be applauded. If you enjoyed this, I suggest you track down a little indie called PMS Cop. It's another great one.
No, it isn't the Leonardo DiCaprio movie. Yes, I love that film too. This is an indie horror flick, and it's badass. Ignore the DVD cover. That made me not want to watch it... looks like glossy photoshopped crap but the actual movie rocks. It reminds of The Boondock Saints except better and all horror. I don't want to spoil anything but it's a very unique take on a certain subgenre pre-Dracula. I hadn't heard of it either but it blew people away at festivals and it's a ton of fun. Great black humor, cool FX, kickass story, and where it ends up is nuts. I guess it's more like Dead Heat but again it's in a league of its own. This is really the type of indie horror we should support. Can't wait to see what the writer/director does next, and I'm so glad I bought this. Very thankful to the other director that recommended it to me. I don't know how I missed this but that shows you good films really can slip through the cracks these days. I suppose me being overseas didn't help.
Prepare for a lot of cameos in this one: Kane Hodder (Jason! Hell yes!), Fred Williamson (From Dusk Till Dawn!), and David Carradine. Plus, Eva Mendes in one of her first film roles. I think it's obvious this sequel was made by a horror fan but it didn't do much for me unfortunately. It has that same generic setup of some college kids who take a wrong turn and end up in Slasherland. The main evil child isn't believable at all. You hate him immediately (and not in a good way). The cameos are nice and do help it a bit but it's pretty dull. There is a grain silo with flames coming out of it, which I guess is their version of the corn monster, but it's disappointing. Typical cult thing except Carradine's character is used as their puppet spokesperson. These Children of the Corn sequels are pretty forgettable. It's just crazy they made so many of them, and I have to be nuts for watching them. We really need another Friday the 13th. Just have fun with it and don't take it so seriously.